Meet
Kareen Weir
,
The Artist Making Language Loud.
A multidisciplinary artist who transforms Jamaican Patwa into unapologetic art.
From Spanish Town to Toronto, her work spans sculpture, murals, and text-based installations — always amplifying memory, identity, and the Black experience.

roots & Education
Kareen’s journey begins in Jamaica, where she trained in Sculpture at the Edna Manley College of the Visual and Performing Arts. Every piece she creates carries the rhythm, resilience, and brilliance of her homeland.

Canada & Murals
In 2014, Kareen brought her voice to Canada — expanding her canvas from gallery spaces to public walls. Her murals now speak across Toronto, for communities and organizations like the NIA Centre and Womxn Paint.

Recognition & Mentorship
Her debut in Canada was at the Art Gallery of Ontario in The Scratch and Mix Project. Along the way, she apprenticed under Raymond Watson and trained at the Watah Theatre with d’bi.young anitafrika — shaping her into the artist she is today.
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Collective & Legacy
Kareen is a proud member of the Black Wimmin Artist collective. From The Feast at the AGO to ongoing collaborations, she continues to celebrate the resilience and creativity of Black voices through community and art.
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Artist statement
My work explores memory, identity, and representation through the Black experience with Jamaican Patwa at its core. I use language as both shield and weapon.
Preserving Jamaican Creole, honouring my ancestors, and amplifying voices history tried to silence. Through bold text and colour, I turn invisibility into impact, making our rhythm impossible to ignore.
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Our mission
Every work is a call to pride, a celebration of resilience and a refusal to be erased. WeirTings exists to make Patwa loud, break silence, honour ancestors, ignite voices, and reclaim identity through art.
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